Composition II in Red, Blue, and Yellow, 1930
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Especially noteworthy in this work is the large red square in the upper right corner which, like the white square in the painting of the previous year, is bounded by only two lines within the painting and thus has a tendency to grow further, in rhythmic expansion, beyond the edge of the canvas. The large area of a brilliant primary red gives this work a strong accent in the major mode. This quality is all the more striking in a canvas dating from 1 930, since in the same year Mondrian also produced paintings of an extreme sobriety, such as the two compositions with black lines, one of which is reproduced above. There, he avoided the use of color completely; the contrasts of the lines, whose thickness also varies, determines the character and balance of the composition.
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